Stem Text

Five italic styles, ExtraLight to Bold, for a text-oriented geometric sans in Latin and Cyrillic.

Stem Text cover: chrome letters spelling the name around a magenta and orange field of concentric rings, with ITALIC at its centre

Italics for a text-oriented geometric sans

Stem is a semi-closed geometric sans serif designed to work across a wide range of sizes. Stem Text adapts the family for continuous reading at smaller sizes, with thinner stroke junctions and more open spacing that create a clearer texture in long texts. While optimized for applications such as longreads, landing pages and magazines, its underlying design also allows it to work effectively at larger sizes.

I designed the five italic styles of Stem Text, ranging from ExtraLight Italic to Bold Italic, as part of the typeface’s development at ParaType. The family was designed by Alexandra Korolkova, with my contribution focused on the Stem Text italics. I was credited in the original release under my former name, Maria Selezeneva.

Three lines over a moiré field: REGULAR outlined, ITALIC in black, BOLD in white, each pointing to what it does — text, rhythm, emphasis

Words on a green to blue gradient: compact clarity, economical proportions, a true italic voice, fluid rhythm, movement within structure

STEM ITALIC repeated in rows across a green to blue gradient, a pointed oval left blank at the centre

A true italic voice

I designed five italic styles, from ExtraLight Italic to Bold Italic, as companions to the upright Stem Text styles. Rather than relying on a mechanical slant, the italics introduce a more fluid rhythm and adapted character construction while retaining the proportions and geometric character of the family. The italics were developed across both Latin and Cyrillic, with the two scripts coordinated in angle, typographic colour and degree of movement.

An editorial spread: “Text has rhythm, even when standing still”, with a paragraph on the even texture of the family

Two museum admission tickets, one reading “Text has rhythm”, the other “Structure stays. Rhythm changes.”

From ExtraLight to Bold

The five italic styles span the range from ExtraLight to Bold, providing a coordinated set of italics for Stem Text across multiple weights. Designed for continuous text at smaller sizes, they retain the family’s geometric character while introducing the rhythm and differentiation needed for emphasis and hierarchy.

A poster: “Stem type family: Structure. Clarity. Rhythm.” above a portrait, with the family’s qualities listed across the foot

A film poster for The Umbrellas of Cherbourg, its title set in the family above a photograph, with a dotted arch of concentric rings behind

Credits

Typeface authorAlexandra Korolkova
Italic designMaria Harlamova
Credited asMaria Selezeneva
FoundryParaType